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Thursday, March 31, 2022

411. THE MOST COMMON FULL CHROMATIC TONALITY WITH ALL 12 NOTES AND 5 CHROMATIC CHORDS WITH ROOTS IN THE DIATONIC SCALE

 

6 Diatonic chards= 1M 2m 3m 4M 5M 6m

5 Chromatic chords=3M7 (from harmonic minor) 6M7 , 7M7 (from double harmonic minor)  5m


it contains all 5 blue or chromatic notes

 5# from the 3M7

2# from the 7M7

1# from the 6M

4# from 7M7 

7b= from 5m 


There are mainly 3 rules for the creation of melodic themes

1) Utlize 2 or 3 consecutive chords for none melodic theme

2) Make it connected by 2nds inside the main scale to give it naturality of singing

3) If one more of the 2 pr 3 chords are chromatic relative to the main scale make the melody pass from the external to the diatonic scale chromatic notes of the chords.


Basic Jazz Chord Progressions

·        Major ii-V-I  (2m-5M-1M) . The major ii-V-I is easily the most important chord progression to get a handle on when it comes to jazz. ...

·        Minor ii-V-i. This chord progression has the same function as the previous major ii-V-I, but of course is in a minor key. ... (In 6 Aeolian mode would give the chords 7m 3M 6m and in the Ionian mode it would be 2m  5M  1m )

·        Major I-vi-ii-V. ...(1M-4m-2m-5M)

·        Minor i-vi-ii-V. (In 6 Aeolian mode would give the chords 6m 2m 7m 3M and in the Ionan mode it would be 1m 4m 2m 5M)


An example of a  song chord progression with the simple full chromatic harmony is the next


3M7-> 6m

5M7-> 1M 


2m  6m

3M7 6m


5m 6M7

2m 2m 


7M7  3M7

6m 6m 


Here is another example 


https://www.youtube.com/watch?v=4YESQFQJR0Y&t=2s&ab_channel=DrKCostas


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