(This post was not been written completely yet)
See also post 40 on intervals classification and post 35 on power chords
This method is simply mainly creating a rather arbitrary sequence of intervals of 3rds in the diatonic scale (easily visualized in the piano keyboard, diatonic harp or diatonic winds) , which may be alternating with intervals of larger intervals of 4ths-5ths 6th and 8th. Occasionally but less than 33% of the times, we may alternate intervals by 2nds (see also post 93 on the statistical harmonic profile of a melody).
See also post 40 on intervals classification and post 35 on power chords
This method is simply mainly creating a rather arbitrary sequence of intervals of 3rds in the diatonic scale (easily visualized in the piano keyboard, diatonic harp or diatonic winds) , which may be alternating with intervals of larger intervals of 4ths-5ths 6th and 8th. Occasionally but less than 33% of the times, we may alternate intervals by 2nds (see also post 93 on the statistical harmonic profile of a melody).
