Each such chord has all its notes as roots, that is why are called balander-chords.
The role of diminished and augmented chords creating the emotion of anxiety and resolving to a major (or minor) with two (or one) notes close by one semitone to two notes of them.
About the stanrd dominant 7th resolution e.g. G7->C
About the stanrd dominant 7th resolution e.g. G7->C
Interval explanation by notes in one semitone distance
This is called the standard Dominant resolution e.g. G7->C , D7->G,
C7->F etc The key to explain of this anxiety-serenity resolutions is that
the dominant 7th chord e.g. G7 is the superposition of the Gmajor+Bdiminished,
and the diminished chord is by itself a bit sad with anxiety, which is
correlated with the Cmajor chord which has serenity because it contains at
least one notes of one semitone distance of notes of the C major. These are the
notes B, with one semitone distance from the C of Cmajor. The same is the
explanation why the Cdim7 below
resolves to G, because it has the notes D# and F# with one semitone
distance from the notes D, G of Gmajor. Sometimes even Cm will be considered resolving to G, because of the D# note
at one semitne distance from the D note of G, and the major chord sounds with
more serenity than the minor chord!
And the same is the explanation why in the
Andalusian Cadenza Dm, C, Bb
A. , the Bb resolves to A, because it has 3 notes one semitone distance apart
from corresponding notes of A.
Similarly as the E7 resolves to A so the Em7b5 resolves to A too because it
has the 3 notes D, F , G# one semitone apart from the C#, E , A of A chord. And
similarly the Edim7 resolves to A as
it has the notes D, F one semitone apart from the C#, E of A
For the same reason if D7 resolves to G, then also Daug resolves to G because
Daug has the notes F#, C# at one semitone distance from the notes G, D of
G major chord and Daug sounds in anxiety.
See also
https://www.youtube.com/watch?v=sDEicex433w
SCALES THAT HAVE DIM7 AND AUG CHORDS
All the 7-notes scales that have steps made from 1,2,3 semitones have more or less chords of the type diminished and augmented, except of major and minor
(The post has not been written yet completely)
See also
https://www.youtube.com/watch?v=sDEicex433w
SCALES THAT HAVE DIM7 AND AUG CHORDS
All the 7-notes scales that have steps made from 1,2,3 semitones have more or less chords of the type diminished and augmented, except of major and minor
(The post has not been written yet completely)
