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Showing posts with label 468. HOW TO SYMBOLIZE CHORD TRASITIONAL CHROMATIC ARPEGGIOS (OSTINATOS) SO AS TO MODULATE THEM IN NEXT CHORD TRANSITIONS. Show all posts
Showing posts with label 468. HOW TO SYMBOLIZE CHORD TRASITIONAL CHROMATIC ARPEGGIOS (OSTINATOS) SO AS TO MODULATE THEM IN NEXT CHORD TRANSITIONS. Show all posts

Sunday, July 28, 2024

468. HOW TO SYMBOLIZE CHORD TRASITIONAL CHROMATIC ARPEGGIOS (OSTINATOS) SO AS TO MODULATE THEM IN NEXT CHORD TRANSITIONS

 If 1,1#, 2, 2# ,......7, 1 is the full 12-notes chromatic scale based on a 7-notes diatonic scale, and

a1, a3 , a5 , a7 is the first chord C1 while 

b1, b3, b5, b7 is the 2nd chord C2

The transitional chromatic arpeggio is a choice of notes some from the first line and some of the 2nd line of the

C1: A1, a2,A3 , a4, A5 ,a6,  A7 

C2:  B1, b2,  B3, b4, B5, b6, B7

capitals are inside the chords small outside the chords. 

Such a pattern applies by substituting different chords transitions C1->C2.