2-OCTAVES HARMONIC SCALES (NON-CHROMATIC) WITH MANY CHORDS
Such scales are based on harmonic intervals like those in a chord and its inversions that is 3 or 4 semitones, 4 or 5 semitones 7 semitones etc.
When going up and down or creating order-topological shapes of the Dolphin Language (see post 101 ) in such scales chords are shaped in a natural and direct way by every 3-successive notes . The types of chords are mostly major, minor, diminished, augmented etc.
The melodic corridor as described in post 94 and the geometry of pan-flutes like the Samponas or modern percussion instruments like hand-pans, hung etc is based on this idea
When such scales are reduced to a single octave may give familiar scales like diatonic , melodic minor etc.
1) The -4-3-4-3-3-4-3- which is the diatonic scale when reduced to a single octave
and other are the next
2) 3-3-4-4-3-3-4=24 This scale has obviously successive diminished minor , major and augmented chords. It is the melodic minor scale when reduced to a single octave
3) 3-3-3-4-4-4-3=24
4) 3-5-3-5-3-5=24
5) 3-3-3-5-5-5=24
6) 3-4-3-4-7-7=24
7) 3-7-3-7-4=24
8) 3-3-7-7-4=24
9) 4-5-4-5-4-2=24
10) 4-5-4-5-4-2=24
11) 4-4-5-5-4-2=24
12) 4-4-4-5-5-5-2=24
13) 4-4-4-5-2-5=24
14) 5-7-5-7=24
15) 3-4-5-3-4-5=24
16) 3-4-3-4-5-5=24
17) 3-3-5-4-4=24
18) 4-5-7-4-4=24
19) 3-5-7-3-4-7=24
etc
Also in more than 2 octaves
3-octaves
5-5-5-5-5-5-6-=36
and 4-octaves
7-7-7-7-7-7-6-=48
The last one is close to how one can derive a diatonic scale by exact 5ths (Here the 5ths of 7-semitones are not exact, so the Pythagorean comma becomes a whole semitone)
etc.
(This post has not been completely yet)
