THE INSTICTUAL ANTICIPATED EMOTIONAL IMPACT OF NOTES BEFORE THEY ARE PLAYED ON THE FRETBOARDS KEYBARDS OR WINDS-KEYS AS A BETTER SYSTEM THAN MEMORIZING SCALE PATERNS
I believe, as I have practiced already, that there is a better way to improvise over scales on a frteboard, or holes/keys of a wind nstrument etc. than memorizing scales positions and patterns.
By memorizing one relies on his memory whichis correlated with the action of his fingers. Thus from the 3 inner-centers used in muiscal practice (as in post 303) two are used the mental and the kinetic. while the feelingsis not required. In such a way also there is always the risk that there ia mixed scale wanted for the improvisation which is not learned so far.
The better method that I have found is the use of the two inner centers of feelings and kinetics. It requires of course sufficient practice with the instrument. After this sufficient practice it happens that when improvising and one hovers or approaches his finger over a fret of the fretboard or position on the (violin's) fingerboard) or hole/key of the wind instrument he can anticipate instictually the feeling of the note that it will sound of placing the finger there. So if the feeling is the right because ofthe right sound he does plays the notes otherwise he moves further up or down. In thsi way no memmory of scale-patterns are required and the involved melody patterns are by far more. It does require though and "inner practice" of tuning the feelings of musical sounds listening with the keneti center of the hands.
