136. ABSTRACT COMPOSITION OF MELODIES THAT CAN BE REALIZED WITH ANY CHORD PROGRESSION AND SCALE

(This post has not been written completely yet)

The concept of order-topological shape of a melodic theme, and also as Dolphin word, allows for abstract composition of melodies, by taking, of course, in to account the standards of the beauty of the melodies based on their statistical profile of the basic order-shapes of Dolphin-words. Then we may accompany and fit them to any chord progression and scale! 

Thus in this way harmony composition through chord progressions and scales, and melody composition can become independent before we blend them in the same coexistence and simultaneous mutual shaping of each other

The beauty of the melodies where their  statistical profile of positive or negative melodic themes is regulated continues  to apply to such a composition of melodies (see post 134)

This post should be read together with post 101 and 107.

The 3 polarities +, - 0 of a melodic theme, and the 3 basic shapes of them: Expansion, Contraction and Cycles. Ascending, Descending, Stationary melodic themes.

The 3 polarities + , -, 0 , are the correspondent to the melodic themes that the chord types major, minor and power chord are for harmonic triads.

The 3  basic shapes of them: Expansion, Contraction and Cycles, are the correspondent to the melodic themes that the chord extension  types like with 4th, with 6th with 7nth  are for harmonic triads.

The beauty of melodies based on their statistical profile of the basic order-shapes of Dolphin-words. 

E.g. >= 2/3=66% positive melodic themes, and < 1/3=33% neutral or negative melodic themes.