110. The 7-notes 2-octaves and 10-notes 3-octaves arpeggio-scale of a chord, as sufficient space for rich melodic order-topological shapes composition.

(This post has not been written completely yet)

When spending time with an improvised melody that harmonically fits a chord the best idea is to have the chord in 4-notes form e.g. like a with 7nth or with 6th, and in the current octave or in the next. Then start the melody at a note of the chord and end it again at a note of a chord in this or the next octave. Since the chord has 4-notes and the scale  7 notes the passing or transient notes are only 3, less than the 4 of the chord, therefore, any such melodic theme fits harmonically to this chord.

Here is an example :

https://www.youtube.com/watch?v=mhbGeuMWVpM