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No posts with label 240. THE EMOTIONAL DUALITY SAD/HAPPY OF MINOR/MAJOR CHORD AS COMING FROM THE DUALITY OF OVERTONES-HARMONICS AND UNDERTONES-SUBHARMONICS. Show all posts
No posts with label 240. THE EMOTIONAL DUALITY SAD/HAPPY OF MINOR/MAJOR CHORD AS COMING FROM THE DUALITY OF OVERTONES-HARMONICS AND UNDERTONES-SUBHARMONICS. Show all posts