METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

This book is for learning music composition and improvisation , based on more abstract mathematics of the music, the rhythm and the musical instrument and with new musical practice. It is a new awareness and method to link mental perception-images, the creation of feelings and finger actions. The true goal of composition and improvisation is the existential process of creating and listening it. It is both individually healing and socially celebrating.

METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

430. TRIPLETS OF CHORDS FOR THE 7 DIATONIC MODES IN THE LATIN JAZZ STYLE HARMONIZATION.

429. SIMPLICIAL SUBMELODY WITH ARPEGGIO INTERVAL PER CHORD INSTEAD OF ONE NOTE PER CHORD FOR COMPOSITION OF MELODIES

428. THE THEMES VARIATION PATTERN METHOD OF COMPOSING MELODIES. E.G. ONE MELODIC THEME FOR EVERY 15-SYLLABLES POETIC LINE. CYCLES OF MELODIC THEMES.

427. SIMPLICIAL SUBMELODY COMPOSITION METHOD AND ARPEGGIO-TAIL COMPOSITION METHOD OF THE MELODIES.

426. THE ORGANIZING RULE OF TRIADS OF CHORDS IN HARMONIC PROGRESSIONS OF CHORDS

425. The major harmonic 5-cycle 6 (n or M) 2 (m or M) 5M 1M 4M and the minor harmonic 5-cycle 3(m or M) 6 (n or M) 2 (m or M) 5M 1M in composing songs.

424. How to remember melodies or play melodies by listening