METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

This book is for learning music composition and improvisation , based on more abstract mathematics of the music, the rhythm and the musical instrument and with new musical practice. It is a new awareness and method to link mental perception-images, the creation of feelings and finger actions. The true goal of composition and improvisation is the existential process of creating and listening it. It is both individually healing and socially celebrating.

METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

413. THE VERY SIMPLE CONCEPT OF CHORD-MODULATION OF A MELODIC THEME OVER 2 OR 3 CHORDS BY CHANGING THE UNDERLYING CHORDS

412 THE MOST COMMON IN BRAZIL FULL CHROMATIC TONALITY OF 12 NOTES THROUGH 3 DIATONIC SCALES IN HARMONIC RELATION

411. THE MOST COMMON FULL CHROMATIC TONALITY WITH ALL 12 NOTES AND 5 CHROMATIC CHORDS WITH ROOTS IN THE DIATONIC SCALE

410. PARTIONING AN HARMONIC CYCLE OF CHORDS IN CONSECUTIVE PAIRS GIVES CHROMATIC SEQUENCES AND PARTIONING IN TRIADS GIVES MELODIC SEQUENCES. APPLICATIONS IN THE COMPOSITION OF MELODIES

409. THE 4-3M-4-3m-4 (e.g. F2-Bb2-D3-G3-Bb3-E4) TUNING OF THE GUITAR (F-MAJOR LYDIAN-DORIAN-DORIAN-LOCRIAN)

408. THE 4-3m-4-3M-4 (e.g. F2-B2-D3-G3-B3-E4) TUNING OF THE GUITAR (C-MAJOR LOCRIAN-MIXOLYDIAN-MIXOLYDIAN-FRYGIAN)

407. TUNING OF 4-STRINGS INSTRUMENTS WITH CONSECUTIVE RELATIVE MODES PER 3 CONSECUTIVE STRINGS IN THE PATTERN OF INTERVALS 5TH-6TH-5TH E.G. D2-A2-F3-C4 (AEOLIAN-IONIAN MODES)