METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

This book is for learning music composition and improvisation , based on more abstract mathematics of the music, the rhythm and the musical instrument and with new musical practice. It is a new awareness and method to link mental perception-images, the creation of feelings and finger actions. The true goal of composition and improvisation is the existential process of creating and listening it. It is both individually healing and socially celebrating.

Thursday, August 12, 2021

395. RANDOMIZING THE SEQUENCE OF AN HARMONIC CYCLE OF CHORDS BY INTERPOLATING MELODIC AND SUPERCHROMATIC CHORD TRANSITIONS BY MAJOR CHORDS .60% harmonic chord transitions, 30% melodic transitions, 10% superchromatic transitions.

›
 RANDOMIZING THE  SEQUENCE OF THE CYCLE BY INTERPOLATING MELODIC AND  SUPERCHROMATIC CHORD TRANSITIONS. 60% harmonic chord transitions, 30% ...
Wednesday, July 7, 2021

394. THE SIMPLE OVERTONES FLUTE AND THE 7-NOTES SCALE DOUBLE HARMONIC MINOR AND 8-NOTES SCALE SHAMBA.

›
 Normally an overtone flute plays a major chord with 7nth with the overtones The overtones 2-3-4-5-6-7-8 are as steps in diatonic scale the ...
Tuesday, June 29, 2021

393.INNOVATIONS ON TRADITIONAL INSTRUMENTS 13: THE GUITAR-CELLO ON THE BODY OF A CLASSICAL ACCOUSTIC GUITAR-BASS

›
Monday, June 28, 2021

392.INNOVATIONS ON TRADITIONAL INSTRUMENTS 12: NEW OVERONES TUNINGS FOR THE CHARANGO

›

391.INNOVATIONS ON TRADITIONAL INSTRUMENTS 11: MODES OF THE HARMONIC MINOR AND DOUBLE HARMONIC MINOR (MODES OF REBETICA) AS FLUTES

›

390.INNOVATIONS ON TRADITIONAL INSTRUMENTS 10: REDESIGHNING THE NEY AND THE CHROMATIC OVERTONE FLUTES

›

389.INNOVATIONS ON TRADITIONAL INSTRUMENTS 9: CHROMATIC CIRCULAR HARMONICAS AND 6-TONIC HARMONICAS

›
‹
›
Home
View web version

About Me

My photo
Dr Costas Kyritsis
View my complete profile
Powered by Blogger.