METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

This book is for learning music composition and improvisation , based on more abstract mathematics of the music, the rhythm and the musical instrument and with new musical practice. It is a new awareness and method to link mental perception-images, the creation of feelings and finger actions. The true goal of composition and improvisation is the existential process of creating and listening it. It is both individually healing and socially celebrating.

Friday, April 23, 2021

368 A CLASSICAL METHOD OF SINGLE INSTRUMENT IMPROVISATION-COMPOSITION: VERTICAL HARMONY BY 3 OR 4 NOTES CHORDS AND SIMULTENEOUS MELODIC THEMES IN 3 OR 4 NOTES TETRACHORDS TRANSLATED OR INVERTED VERTICALLY ACROSS THE NOTES OF A CHORD AND ELONGNATED HORIZONTALLY WHEN BRIDGING CHORD TRANSITIONS.

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 A CLASSICAL METHOD OF SINGLE INSTRUMENT IMPROVISATION-COMPOSITION: VERTICAL HARMONY BY 3 OR 4 NOTES CHORDS AND SIMULTENEOUS MELODIC THEMES ...
Tuesday, April 20, 2021

367.ALL 2-chords HARMONICAS OF HEXATONIC SUBSCALES OF THE DIATONIC SCALE THE HARMONIC MINOR THE MELODIC MINOR AND THE 7-NOTES BLUES SCALE

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 In  the next we will describe harmonicas with hexatonic scales and two only chords  (See also https://simplerguitarlearning.blogspot.com/20...
Sunday, April 4, 2021

366. Revealing observations in the beatiful improvisation of the violonist Stephan Grappelli: Three separate rythmic densities levels of the melody which spans at each melodic phrase 3 octaves.

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 When someone is listening the free improvisations of the famous violonist Stephan Grappelli he is amazed from the reachness and beauty of t...
Thursday, March 25, 2021

365. THE DANCING CONCEPT OF IMROVISATION REFINEMENT OR FILLING OF A MELODY.

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 This concept is coming from improvisations that are of songs that are used for dancing, and somehow not very slow dancing. The idea is that...
Saturday, March 20, 2021

364. CHROMATIC THREECHORDS , TETRACHORDS AND PENTACHORDS AS THE BASE OF CREATING SIMPLICIAL COUNTERMELODIES AND BASSLINES FOR MELODIES.

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 CHROMATIC THREECHORDS , TETRACHORDS AND PENTACHORDS AS THE BASE OF CREATING SIMPLICIAL COUNTERMELODIES AND BASSLINES FOR MELODIES.  (SEE AL...
Tuesday, March 16, 2021

363. HOW TO MAKE BEAUTIFULL SIMPLICIAL COUNTERMELODIES WITH CHROMATIC TRIADS AND AN EASY IMPROVISATIONAL WAY WITH THE TROMBONE OR A STRING INSTRUMENT WITH OVERTONE TUNING.

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 We remind the reader that a simplicial countermelody is a counterpoint parallel melody (that  by parts 2,3,or 1st voice)  with much fewer n...
Tuesday, March 9, 2021

362 .A METHOD OF LEARNING IMPROVISATIONAL SONG ADOPTIONS-RECOMPOSITIONS BY WHISTLING OR SINGING PARALLEL TO A RECORDED SONG ,

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   A METHOD OF LEARNING  IMPROVISATIONAL SONG ADOPTIONS-RECOMPOSITIONS  BY WHISTLING OR SINGING PARALLEL TO A RECORDED SONG ,  (See also pos...
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