METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

This book is for learning music composition and improvisation , based on more abstract mathematics of the music, the rhythm and the musical instrument and with new musical practice. It is a new awareness and method to link mental perception-images, the creation of feelings and finger actions. The true goal of composition and improvisation is the existential process of creating and listening it. It is both individually healing and socially celebrating.

Thursday, March 25, 2021

365. THE DANCING CONCEPT OF IMROVISATION REFINEMENT OR FILLING OF A MELODY.

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 This concept is coming from improvisations that are of songs that are used for dancing, and somehow not very slow dancing. The idea is that...
Saturday, March 20, 2021

364. CHROMATIC THREECHORDS , TETRACHORDS AND PENTACHORDS AS THE BASE OF CREATING SIMPLICIAL COUNTERMELODIES AND BASSLINES FOR MELODIES.

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 CHROMATIC THREECHORDS , TETRACHORDS AND PENTACHORDS AS THE BASE OF CREATING SIMPLICIAL COUNTERMELODIES AND BASSLINES FOR MELODIES.  (SEE AL...
Tuesday, March 16, 2021

363. HOW TO MAKE BEAUTIFULL SIMPLICIAL COUNTERMELODIES WITH CHROMATIC TRIADS AND AN EASY IMPROVISATIONAL WAY WITH THE TROMBONE OR A STRING INSTRUMENT WITH OVERTONE TUNING.

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 We remind the reader that a simplicial countermelody is a counterpoint parallel melody (that  by parts 2,3,or 1st voice)  with much fewer n...
Tuesday, March 9, 2021

362 .A METHOD OF LEARNING IMPROVISATIONAL SONG ADOPTIONS-RECOMPOSITIONS BY WHISTLING OR SINGING PARALLEL TO A RECORDED SONG ,

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   A METHOD OF LEARNING  IMPROVISATIONAL SONG ADOPTIONS-RECOMPOSITIONS  BY WHISTLING OR SINGING PARALLEL TO A RECORDED SONG ,  (See also pos...
Monday, March 8, 2021

361. THE TECHNIQUE OF MOVING TETRACHORD IN IMPROVISATION OVER A CHORD PROGRESSION

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 See also post 321 and 364. 
Friday, February 19, 2021

360. COMPOSING MELODIES WITH CHROMATOMELODIC CHORD-BASED MICRO-THEMES OF 4 NOTES IN A DIATONIC CHROMATIC TONALITY

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COMPOSING  MELODIES WITH CHROMATOMELODIC CHORD-BASED MICRO-THEMES OF 4 NOTES IN A  DIATONIC CHROMATIC TONALITY  In this technique of composi...
Saturday, February 13, 2021

359. THE TROMBONE FOR EASTERN RAPSODY CONTINUOUS SIMPLICIAL COUNTERMELODIES BASED ON TETRACHORDS (E.G. FOR SIMPLICIAL COUNTER--MELODIES FOR SAITHIES, DAKTYLIES OF CRETE)

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 At first we utlize the mode of playing  the trombone as the post 352 that we remind below. THE 2-DIMENSIONAL SEQUENTIAL-CONTINUOUS OVERTONE...
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