METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

This book is for learning music composition and improvisation , based on more abstract mathematics of the music, the rhythm and the musical instrument and with new musical practice. It is a new awareness and method to link mental perception-images, the creation of feelings and finger actions. The true goal of composition and improvisation is the existential process of creating and listening it. It is both individually healing and socially celebrating.

METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

350. CHROMATIC TONALITY BASED ON TWO TONALITIES OF DIATONIC SCALES WITH SUCCESIVE ROOTS ON THE WHEEL BY 4THS

349. PSYCHOLOGAL CHARACTER OF MELODIES BASED ON IDENTIFICATION OF STATISTICAL FREQUENCIES OF NOTES AND INTERVALS IN THEM.

348. WHY IS THE FRENCH HORN CONSIDERED THE HARDEST MUSICAL INSTRUMENT TO PLAY AMONGTHE BRASS WINDS?

347. THE CONCEPT OF PROBABILISTIC IMPROVISATIONAL COUNTER MELODIES OF A MELODY.

346. THE SIMPLE OVERTONES SEQUENCE IMPROVISATINAL MODE OF PLAYING THE FRENCH HORN.

345. CHROMATIC TONALITY ON THE LEVERED HARP

344. THE REALLY APPROPRIATE MOUTHPIECES FOR THE PICCOLO TRUMPET ARE THE 12mm-13mm OLD TIMES CORNETTI MOUTHPIECES.