METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

This book is for learning music composition and improvisation , based on more abstract mathematics of the music, the rhythm and the musical instrument and with new musical practice. It is a new awareness and method to link mental perception-images, the creation of feelings and finger actions. The true goal of composition and improvisation is the existential process of creating and listening it. It is both individually healing and socially celebrating.

Friday, February 28, 2020

293. IMPROVISATION METHOD BASED ON A SET OF CHORDS AND MELODIC LINES BRIDGING THE HIGHEST NOTES OF EACH OF THEM. APPLICATION WITH STRUMMING WITH CUATRO, CAVAQUINHO, UKULELE ETC

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 IMPROVISATION METHOD BASED ON  A SET OF CHORDS AND MELODIC LINES BRIDGING THE HIGHEST NOTES OF EACH OF THEM. APPLICATION WITH STRUMMING W...
Friday, January 31, 2020

292. METHOD OF SINGLE INSTRUMENT IMPROVISATION BY ALTERNATION OF CHORD- VARIATIONS WITH MELODIC THEMES-VARIATIONS ON A STRING INSTRUMENT WITH A SCALE MARKED ON THE FRETBOARD OR ON A DIATONIC HARP , WINDS,HARMONICA ETC. LONGITUDINAL CHORDS

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   METHOD OF SINGLE INSTRUMENT IMPROVISATION BY ALTERNATION OF  CHORD- VARIATIONS WITH  MELODIC THEMES-VARIATIONS  ON A STRING INSTRUMENT ...
Thursday, January 30, 2020

291. HEXATONIC SCALES FOR HARMONICA ALTERNATIVE TUNINGS AND 2-CHORDS IMPROVISATIONS

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HEXATONIC SCALES FOR THE HARMONICA (see also post 215 and 364)  THESE 2-CHORD HEXATONIC HARMONICAS DESCRIBED HERE ARE NOT DESIGHNED SO MUCH...
Friday, January 24, 2020

290. MODERN HARMONY COUNTERPOINT OF A NUMBER OF SIMULTENEOUS MELODIES

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(This post has not been written completely yet)  Generally speaking we may define in modern sense of harmony  counterpoint of a number ...
Thursday, January 23, 2020

289. IMPROVISATION SYSTEM WITH THE SIMPLICIAL SUB-MELODY OF THE COUNTER-MELODY (THUS SIMPLICIAL COUNTER-MELODY) OF A SONG.

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(This post has not being written yet completely) See also post  102, 111, 138, 275 , 280 , 287, 102, 256, 257, 118, 128, 197, 183, 271, 2...
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