METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

This book is for learning music composition and improvisation , based on more abstract mathematics of the music, the rhythm and the musical instrument and with new musical practice. It is a new awareness and method to link mental perception-images, the creation of feelings and finger actions. The true goal of composition and improvisation is the existential process of creating and listening it. It is both individually healing and socially celebrating.

Monday, December 23, 2019

287. IMPROVISATIONAL SONGS THAT THEIR CHORD PROGRESSION IS A SLIGHTLY CHANGING SEQUENCE OF REPEATING CYCLE OF CHORDS.

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 See also post 280 about IMPROVISATIONAL SONGS THAT THEIR CHORD PROGRESSION IS A  REPEATING CYCLE OF CHORDS. The most obvious slightly ch...
Wednesday, December 18, 2019

286. HOW TO COMPOSE IMPROVISATIONAL INTRODUCTORY COUNTER-MELODIES TO A KNOWN SONG.

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(This post has not been written completly yet) The main idea is to apply the method below to a selected subset of chords of the chords o...

285. HOW IS IT POSSIBLE WHEN LEARNING AND REMEMBERING MELODIES TO REDUCE THEIR INFORMATION TO AS LITTLE AS THE INFORMATION OF ITS CHORD PROGRESSION? THE ROLES OF SIMPLICIAL SUBMELODY AND SIMPLICIAL MELODIC THEMES ("DOLPHIN WORDS")

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(This post has not been written completly yet) See also post 70 and post 282 Dolphin words are beatifully composed with the arpeggiator ...
Tuesday, December 3, 2019

284. COMPOSING THE 3 SIMPLICIAL "DOLPHIN WORDS" (CYCLIC OR ASCENDING/DESCENDING MELODIC THEMES) WITH THE 3 BASIC TYPES OF CHORD TRANSITIONS: HARMONIC, MELODIC , CHROMATIC

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(This post has not been written completely yet) We may create such nice loops, of 2 or 3 or more chords and parallel melodic themes as ...
Sunday, December 1, 2019

283. THE SIMPLICIAL SUB-MELODY AND THE SIMPLICIAL MELODIC MOVES AS A METHOD OF CREATING IMPROVISATIONAL VARIATIONS OF A MELODY

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THE KEY-WORD HERE IN THE 4TH GENERATION DIGITAL MUSIC FOR THE MUSICAL-THEORETIC IDEAS OF THIS   POST (AS FAR AS MORDEN SOFTWARE FOR MUSIC ...
Saturday, November 23, 2019

282. THE MISSING SIMPLICITY LAYER BETWEEN ONE NOTE OF A MELODY AND ITS UNDERLYING CHORD: THE PROGRESSION OF THE SIMPLICIAL MELODIC THEMES (DOLPHIN WORDS) OF A COMPLICATED MELODY. SIMPLICIAL DOLPHIN WORDS

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THE MISSING SIMPLICITY LAYER BETWEEN ONE NOTE OF A MELODY AND ITS UNDERLYING CHORD: THE PROGRESSION OF THE SIMPLICIAL MELODIC THEMES (DOLPH...
Sunday, November 17, 2019

281. WHY WHEN LEARNING A NEW INSTRUMENT IT IS BETTER TO START WITH IMPROVISATION RATHER THAN PLAYING FROM MUSICAL SHEETS (SCORES)

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(this post has not been written completely yet) There are  many reasons why  WHEN LEARNING A NEW INSTRUMENT IT IS BETTER TO START WITH  ...
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