METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

This book is for learning music composition and improvisation , based on more abstract mathematics of the music, the rhythm and the musical instrument and with new musical practice. It is a new awareness and method to link mental perception-images, the creation of feelings and finger actions. The true goal of composition and improvisation is the existential process of creating and listening it. It is both individually healing and socially celebrating.

Saturday, August 10, 2019

262. LONGITUDINAL CHORDS: THE 5-NOTES SCALE-CLOSURE (pentachord or fivefold) OF A TRIAD CHORD FOR IMPROVISING MELODIES FITTING TO THE CHORD. ALSO A METHOD OF MELODIC IMPROVISATION OF LYRA, CELTIC HARP AND PANFLUTE.

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LONGITUDINAL CHORDS: The 5-notes (pentachord or 5-fold) methods of improvising over a triad chord with violin, lyra , panflute and Celti...

261. THE JAZZ HARMONIC PERSONALITY THE DIFFERENCE OF USING MINOR CHORDS (SADNESS THROUGH BLUE NOTES) IN EARLY WESTERN JAZZ COMPARED TO OTHER POP AND FOLK MUSIC AND EASTERN (GYPSY) JAZZ.

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THE DIFFERENCE OF USING MINOR CHORDS (SADNESS THROUGH BLUE NOTES) IN EARLY WESTERN JAZZ COMPARED TO OTHER POP AND FOLK MUSIC AND EASTERN (G...
Friday, August 9, 2019

260. WHY THE DIATONIC (CELTIC) HARP IS THE BEST INSTRUMENT TO COMBINE MELODIC IMPROVISATION WITH CHORDS IMPROVISATION IN A SINGLE (USUALLY DIATONIC )SCALE. TUNING THE HARP IN SET OF CHORDS AND NOT IN A SCALE.

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WHY THE DIATONIC (CELTIC) HARP IS THE BEST INSTRUMENT TO COMBINE MELODIC IMPROVISATION WITH CHORDS IMPROVISATION IN A SINGLE (USUALLY DIAT...
Thursday, August 8, 2019

259. Extensions of the 6-notes Blues scale to four 7-notes scale that keep the 1-1-3 four-notes subscale

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The Blues 6-notes scale is in semitones intervals the 1-1-3-2-3-2 or 2-1-1-3-2 or in steps of diatonic scale 7-1-1#-3-4# If we want to ...

258 WHY PROFOUND IMPROVISATION IS A TRIPLE BALANCE MEDITATION IN 2/3DS INDEPENDENT FROM THE MUSICAL INSTRUMENT

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WHY PROFOUND IMPROVISATION IS A TRIPLE BALANCE INTERNAL ACTIVE MEDITATION IN 2/3DS INDEPENDENT FROM THE MUSICAL INSTRUMENT! Improvisation...
Wednesday, August 7, 2019

257. MAINLY (1/2 OF THE TIME) MELODIC (ALTERNATING MAJOR-MINOR 3RDS) IMPROVISATION "WALKING" WITH CHROMATIC DECORATIONS (OSCILLATIONS BY 2NDS) IN DIATONIC SCALES

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MAINLY (1/2 OF THE TIME) MELODIC (ALTERNATING MAJOR-MINOR 3RDS) IMPROVISATION "WALKING" WITH CHROMATIC DECORATIONS (OSCILLATIONS...
Saturday, July 27, 2019

256. THE TRIAD OF CHOICES WHEN IMPROVISING A MELODY

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The simplicity of triad of factors for the  melodic action  is  mainly the next three factors 1) The  triad of polarity (qualitativ...
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