METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

This book is for learning music composition and improvisation , based on more abstract mathematics of the music, the rhythm and the musical instrument and with new musical practice. It is a new awareness and method to link mental perception-images, the creation of feelings and finger actions. The true goal of composition and improvisation is the existential process of creating and listening it. It is both individually healing and socially celebrating.

Tuesday, August 28, 2018

131. THE SPIRITUAL USE OF FLUTES IN WORDLESS SACRED INCANTATION AND MEDITATION RITUAL FOR SOUL CONSCIOUSNESS PRESENCE AND CREATION OF OUR DESTINY BY OUR ACHIEVING OUR GOALS, THROUGH (NLP) PROGRAMMING OF THE SUBCONSCIOUS

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(This post has not been written completely yet) INCANTATIONS, SOUL PRESENCE, PROGRAMMING OF  THE SUBCONSCIOUS (NLP), FLOW-STATE AND CREA...
Sunday, August 26, 2018

130. MEANING VERSUS SYNTAX BASED IMPROVISATION: THE MELODIES IMPROVISATION METHOD OF EMOTIONAL DESCRIPTIVE "STORY TELLING" OR POST-ACTIVE/PRO-ACTIVE MEDITATIVE SIMULATIONS OF ACTIVITIES

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(This post has not been written completely yet) This method of improvisation perceives  that musical themes as the pitch shape of actual...
Wednesday, August 22, 2018

129. IMPROVISATION WITH THE 1st 2nd 3rd and 6-NOTES PENTATONIC HARMONIC MINOR AND PENTATONIC OR 6-NOTES HARMONIC DOUBLE MINOR SCALE.

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(This post has not been written completely yet ) These scales are relatively unknown. We describe them below. The pentatonic harmoni...

128. IMPROVISATION AND CREATION OF ADOPTIONS OF A SONG BY MELODY (COUNTERMELODY) SIMULTANEOUSLY SOUNDING OR ALTERNATING WITH ANOTHER MELODY

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(this post has not been written completely yet) This improvisation technique is from old civilizations like in the Chinese  harps , Greek...

127. IMPROVISATION AS FREE VARIATIONS OF YOUR OWN PREDETERMINED COMPOSITION

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(This post has not been written completely yet)

126. IMPROVISATION BY A SINGLE CHORD OF VARIABLE EXTENSION TYPE

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SIMULTANEOUS BASS-CHORD-MELODY IMPROVISATION ( David Reed) (As we utilize only 4 fingers of the left hand, the 3 of them always sound t...

125. INTERVALS AND POWER-CHORDS IMPROVISATION

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(This post was not been written completely yet) See also post 40  on intervals classification and post 35 on power chords This method ...
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