METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

This book is for learning music composition and improvisation , based on more abstract mathematics of the music, the rhythm and the musical instrument and with new musical practice. It is a new awareness and method to link mental perception-images, the creation of feelings and finger actions. The true goal of composition and improvisation is the existential process of creating and listening it. It is both individually healing and socially celebrating.

Monday, July 30, 2018

115. WHAT WE LEARN FROM THE SINGING OF NIGHTINGALES AND BLACKBIRDS, FOR MELODIES COMPOSITION.

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(This post has not being written completely  yet) What can we learn from the singing of Nightingales and Blackbirds for melodies compos...
Sunday, July 29, 2018

114. MULTI- ORDER SYNTAX OF DOLPHIN LANGUAGE FOR POETICAL MEASURES MELODIES COMPOSITION. DERIVING THE FULL MELODY FROM A SIMPLISTIC SUB-MELODY. TRINARY HARPING COMBINATIONS . SIMPLICIAL DOLPHIN WORDS

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(This post has not being written fully yet) Here in this  post we refer to the pitch-order shape of a mrlodiv theme as "Dolphin Wor...
Sunday, July 22, 2018

113. 2-OCTAVES HARMONIC SCALES (NON-CHROMATIC) WITH MANY CHORDS

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2-OCTAVES HARMONIC SCALES (NON-CHROMATIC) WITH MANY CHORDS Such scales are based on harmonic intervals like those in a chord and its in...
Saturday, July 21, 2018

112. THE HARMONIC STATISTICAL PROFILE OF A CHORD PROGRESSION

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(This post has not being written completely yet) This post describes that the harmonic statistical profile of melodies as in post  , appl...

111. INDEPENDENT AND PARALLEL COMPOSITION OF MELODY AND CHORD-PROGRESSION. RULES OF COMPATIBILITY AND FITTING.

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(This post has not being written completely yet) In this post we describe how to combine two different methods of composition 1) The one...
Thursday, July 19, 2018

110. The 7-notes 2-octaves and 10-notes 3-octaves arpeggio-scale of a chord, as sufficient space for rich melodic order-topological shapes composition.

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(This post has not been written completely yet) When spending time with an improvised melody that harmonically fits a chord the best id...
Friday, July 13, 2018

109. 2ND HARMONIC ORDER MELODIC THEMES BRIDGING TWO SUCCESSIVE CHORDS AND THE ROLE OF THE HARMONIC AND CHROMATIC SIMPLISTIC SUB-MELODIES

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(This post has no been written completely yet) Melodic themes that span from one chord to the next have more complicated harmony as the...
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