METHODS TO LEARN MUSICAL FREE IMPROVISATION-COMPOSITION WITH NEW PERCEPTIONS

This book is for learning music composition and improvisation , based on more abstract mathematics of the music, the rhythm and the musical instrument and with new musical practice. It is a new awareness and method to link mental perception-images, the creation of feelings and finger actions. The true goal of composition and improvisation is the existential process of creating and listening it. It is both individually healing and socially celebrating.

Friday, April 29, 2016

61. Perceiving melodic movements with of tetra-chords or penta-chords. Complementary melodic moves

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Many melodies are composed from simpler melodic moves, with a rhythmic pattern that repeats, with different intervals and pitch dynamics. ...
Friday, April 15, 2016

60. Scales progressions in improvisation with common roots or many common notes. Seeing it on the 24-cycle of chords

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A concept similar to chord progressions is of course the concept of scales progressions. We may symbolize it with S1, S2, S3, S4 , where S...
Tuesday, April 5, 2016

59. Creating the 4 basic melodic patterns (spike, wave, scaling, isokratic) from a chord and their psychological meaning

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Here is a table of the analogy and correspondence of the levels of the musical language and Speaking languages MUSICAL LANGUAGE SPEA...
Sunday, March 27, 2016

58. All 10 different , 4-notes sub-scales (or tetra-chords) containing steps of 1,2 or 3 semitones. All 8-scales of length a pure 5th.

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There is  small number of   exactly  10 characteristic tetra-chords (=4-notes sub-scales)   containing intervals of 1,2,3, semitones and ...
Tuesday, March 22, 2016

57. Extrapolating major, minor, diminished and augmented triad chords to 4,5,6,7,8 notes scales in improvisation and musical composition

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Extrapolating major, minor, diminished and augmented triad chords to 4,5,6,7,8 notes scales  in improvisation and musical composition. This...
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